#105
Post
by AYBG » Mon Nov 09, 2009 5:59 pm
This is definitely a film of two halves...
The first half confirmed my suspicion that this would be the new Taken - fiercely violent (which for me is fine), but with questionable overtones (not so fine). Worse, like Harry Brown listening to the radio, the film's perspective was from the outside-in, and the lack of research really showed. Still I set out to judge the film by its own terms and, well, it was just really poor.... the first half, that is.
The plot was cliched and just went through the motions, the dialogue was clunky and full of exposition (particularly the police officers, who made no contribution to the film other than to spoon-feed us Brown's motivation, which was redundant because of my next point), the characters were two-dimensional. Even the titular character. They just threw in a few events to form his motivation. Just compare that to the beautifully constructed development of character in Taxi Driver.
However, the scene where Brown goes to b*y a gun marks a major turning point in quality. The dialogue and story weren't nearly as bad, and even politically the film became fairly balanced (though unfortunately it seemed to have no interest whatsoever in the causes of its society's dysfunction). The best thing was the directing, beautiful to look at and the story smartly portrayed. It was if the first half (3/10) had only been made to set up the second (8/10). Overall: 6/10.
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